The most impressive thing about The Bride!, Maggie Gyllenhaal's feminist revamp of The Bride of Frankenstein, is how thoroughly ill-conceived it is. This movie fails at everything. There is not a ...
Add Yahoo as a preferred source to see more of our stories on Google. At the end of Shelley’s novel, Frankenstein’s monster yearned for companionship, begging his master to create him not just a ...
Mary Shelley’s Frankenstein focused on Victor Frankenstein, as well as the creature he created, but what about the creature’s long-awaited companion that never was? In The Bride!, director Maggie ...
In “The Bride!” Maggie Gyllenhaal fails to breathe new life into a classic source material. Landing in theaters March 6, actress and filmmaker Maggie Gyllenhaal’s sophomore directorial project trips ...
Actress-turned-director Maggie Gyllenhaal has reimagined Mary Shelley’s 1818 novel “Frankenstein” as a new film with the Bride as the central character. So it’s fitting that "The Bride!" hits theaters ...
No less imaginative is the importation of the story from Europe to midcentury America. This allows the film to include among its sights rollicking nightclubs, decadent parties, and grand movie palaces ...
Official image from ‘The Bride!’ courtesy of Warner Bros. Pictures. The Bride of Frankenstein is a classic, feminine twist on the original story of Frankenstein, which has been consistently alluded to ...
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The frankensteined feminism of the bride!
Even before Ida (Jessie Buckley) becomes a black-bile-spewing revenant, you wouldn’t call her a proper lady. At a shady gin joint in Chicago, 1936, she’s vacant-eyed, slurring, and lurching in her ...
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